I have not yet commented on Apple’s events this week, so I thought I would do so before the week was over.
Apple introduced a new 3rd generation Apple Watch. Simply put, we have no use for it in our family. I had been hoping for a stand-alone cellular watch that we could give my nine year old in place of a phone (no–we’re not doing that), much like the Verizon Gizmo watches. It turns out that the Apple Watch still isn’t a stand alone product and it uses the same cell phone number as your existing iPhone. My 1st generation Apple Watch is going strong, and my wife loves her 2nd generation Apple Watch. I might be open to an update in the fall of 2018–but we’ll have to see.
Apple introduced two new iPhones. We have T-Mobile, which has massively increased coverage and keeps expanding offers for customers. This past week, T-Mobile gave us standard Netflix for free–something we had been paying for. That said, T-Mobile just bought coverage throughout the US in the 600 MHz range (they already have towers with it), but none of the new iPhones…iPhone 8, iPhone 8S, or iPhone X have those bands. As a result, I wasn’t that excited about any of the phones. My current phone is an iPhone 6S with 64GB of memory, and I am always at the limit. So, I ordered the iPhone 8S this morning, as I wanted a larger screen (my farsightedness is progressing) and bought the 256GB version (why couldn’t they offer 128?). I just have to accept that I won’t have access to T-Mobile’s new service bands until I upgrade again in 2019. The X is nice, and I could care less about the “bump” in the screen…whatever. It is an iPhone. You interact with it, and you use it. So many tech columnists are complaining about the X’s bump…get over it. I couldn’t justify waiting for the X when I might be tempted to upgrade in the fall of 2018 for better coverage. We’ll see. I will like inductive charging (on all the iPhones). In fact, I need to go order a couple of Qi mats from Amazon. You realize this means an end to cables, right? That is a move from Apple that is right around the corner. Don’t believe me? Does the Apple Watch have a cable? Expect wireless charging with the next series of iPads, too. And any of these new phones are FAST…benchmarks are showing the phones are nearly as fast as CURRENT MODEL MacBooks. It won’t be too long before someone will be porting the full version of Mac OS on a phone.
Apple is introducing a Qi charging pad next year…awesome. Let me know when it gets here. Ear Pods are also slightly changed, mainly for inductive charging.
In other news, iTunes has removed the ability to back up a phone to a computer, and it has taken the app interface out of iTunes. Most of us weren’t using that interface anyway, but if you did, it is time to move to the cloud, as well as to likely buy some extra iCloud storage each month. iCloud isn’t the mess that it used to be…it has come a LONG way.
And both iOS 11 and Mac OS X High Sierra are right around the corner. As soon as my iPad Pro is paid off (6 months or so), I will be buying a MacBook that can run High Sierra. People are really excited about iOS 11 and iPads. Being conservative when it comes to beta operating systems, I’m waiting to see what they are excited about.
So in summary: Apple continues to improve and advance its products, and many of us will eventually buy them. I just am in a funk about buying an iPhone that can’t take advantage of all that T-Mobile has to offer.
About a week ago, Newzik sent out a mailing that mentioned the Flic, a Bluetooth button that could be used to turn pages. They offered a discount, and it was relatively inexpensive, so I ordered one (this was not a demo or discounted unit, other than the “normal” Newzik discount code). It arrived today and I have been using it with forScore and Newzik.
The idea of a small button for page turning is a great idea. Some people can’t reach a screen easily from a sitting position, but could mount a small button on their instrument which would allow them to change pages. In some cases, a foot pedal isn’t ideal. The Flic is a small button with the option of a sticky back or a plastic clip–not much smaller than my college ring (which appears to need some repair!).
The Flic came in a small, Apple-like box, packaged in a box that could easily hold five of the devices. There are several versions of the Flic, including dedicated buttons that have a non-replaceable battery, as well as models that have replaceable batteries with limitless functions (programmable via the app). The button can be programmed for all kinds of uses (provided that the app has a relationship with the app). You can also program different functions for a press, couple press, or press and hold.
This all sounds great, but as I use the device, I’m disappointed. First, the Flic app allows you to set up your button (and you have to register an account), but then the app must remain running in the background while you use other features to keep working. In other words, the Flic is a “dumb button” that triggers the app, that then triggers your music reading app. When you are used to instantaneous page turns by hand, AirTurn, PageFlip, or iRig device–the delay caused by the Flic seems too long. I didn’t officially time it, but it seems to be a full second or longer for a page turn…which is two quarter notes at 120 bpm.
Additionally, I have forScore customized for my quad pedal PageFlip Dragonfly. The Flic app only allows a couple of forScore mappings, which do not match with the mappings on my Dragonfly…and in fact, all that is available is forward page turn (right arrow) and backwards page turn (left arrow), leaving no option for the third feature of the Flic (press and hold).
I think if the Flic itself could send out the command, instead of relying on the app, the experience would be better. In my ideal world, the Flic app would store data (it can’t require much memory) on the Flic button, which would then send out the commands on its own. So, the flexibility of the Flic app is powerful–but in function it causes a significant delay–enough to make you worry about each page turn.
As the Flic button also requires features in the app, it cannot trigger events like Keynote slides, which could also be useful.
Ultimately, it is a product to watch, to see if latency can be reduced or a future version created which would contain the programming on-device. It might be ideal for many of its other potential uses. But as it is, I wouldn’t recommend it as a solution for music reading. If you need wireless page turning today, you will still be happier with AirTurn, PageFlip, or iRig devices.
It has been a while since I have talked about my process of taking an existing score and preparing it for an accompaniment file or a rehearsal file. I just prepared ten scores for our district’s high school choirs (three high schools) who hold an October joint concert.
Step 1: Obtain the music. It seems obvious, but for my process, you need music IN HAND, not a PDF.
Step 2: Scan each page (each song separately, of course) with NotateMe, using the in-app purchase of PhotoScore. Why NotateMe? It scans nearly as accurately (sometimes more so) than the desktop version, bringing in most lyrics and diacritical markings. Suggestions: scan with a white background, and then use a flash. The better the camera, the better the scan…so think about using a late model iPhone or Android device.
Step 3: Rename the file in NotateMe and export using MusicXML via e-mail to myself. To be honest, my one major gripe of NotateMe is that I just can’t use “Open In” to open the MusicXML file directly into Notion for iOS.
Step 4: Import the MusicXML file into Finale on my MacBook. I actually can edit notes/rhythms easier in Notion (Mac or iOS) than on Finale, but Notion tends to not be so good with lyrics. I like to have the lyrics when I create a choral score…it makes a number of things easier (following a score, going back to edit later, etc.). This is also good if you later plan to export a MusicXML file to a red note/green note program like SmartMusic, PracticeFirst, or MusicProdigy. If I have to arrange something, I use Finale as my primary tool as it has a explode/implode feature. As a tip…voice parts should all have their own line without multiple notes. So, if you have an SSAATTBB score….there should be eight vocal lines, not four. This will save you trouble later!
Step 5: Edit in Finale, or your notation App of choice. If you are a band/orchestra director, you will want to enter percussion parts at some point, as they just don’t scan right.
Step 6: Export at MusicXML file to Notion on Mac. I do most of my note/rhythm editing in Notion, which allows me to swap voices anywhere (not a whole measure) and also shows measures with too many notes. While in Notion, make sure sound assignments are correct. You can name the files correctly and later add a “switch instrument” command to make vocal parts sound like a piano versus a choir “Ah.”
Step 7: Save the file in my Notion folder in iCloud Drive. Notion for iOS uses this folder. So if i have something saved in this folder, it shows up on my list in the Notion for iOS app.
Step 8: Final edits on Notion for iOS (this is a great place, with an Apple Pencil, to add any missing diacritical markings. Make sure tempos are where they should be; create tempos and ritardandos as necessary for proper playback. Why Notion for iOS? The sounds are good, and exporting is incredibly easy. The full sound library is also less expensive on Notion for iOS than any other program (with the exception of MuseScore, of course).
Step 9: Adjust the mixer bar in Notion for iOS to make playback files. For example, bring soprano up above the median line, bring piano below, bring altos, tenors, and basses all the way down. Instant soprano rehearsal track.
Step 10: Export to iCloud Drive as AAC file.
Step 11: Open up iCloud Drive and rename each file (e.g. Song Title Soprano. Otherwise Notion saves them as Title 1, Title 2, Title 3…)
Step 12: Repeat steps 9-11 for each part, as well as a piano only part.
Step 13: Distribute parts as necessary. These can be copied to Google Drive, Dropbox, opened in forScore or unrealBook, and so on.
This sounds like a lot of work, but an average song can have all rehearsal tracks created in a much shorter time than sitting down to play parts. Additionally, you will always have the tracks in the future and that file can always be used again. It is smart to keep the files in multiple organized places, as accidents do happen.
One other note: should you learn that a software program will be discontinued, you should open all of your files (over time) and export them as MusicXML files so as to be able to use them again someday. You could actually do that at the end of your process as Step 14, just to be safe.
The concept of written notation to digital notation, or handwriting recognition for music, has blown up over the past few years. I still remember the very famous video from ThinkMusicTechnology back in 2013 that resulted in a lot of excitement about the possibility:
It was a great idea, but the Kickstarter failed. Since then, there have been a number of handwriting apps…I will see if I can put them into chronological order (and I am sure I am missing some):
- NotateMe (September 2013)
- Touch Notation by Kawai (March 2015)
- StaffPad for Windows Surface Tablets (March 2015)
- Notion for iOS [added as an IAP] (November 2015)
- MusicJot (January 2017)
- Komp Create (April 2017)
- Compoze Leadsheets (September 2017)
I do know of some other notation apps that are bringing handwriting soon.
When I see a new app that is entering an established field (looking back to 2013 in this case), I always ask: “What is unique about the app that makes it unique/easier/better/more powerful to use than other apps?” Hopefully every app has an answer to that (it is something that I like to ask on the podcast) rather than to be an alternative. For example: Finale has always been about the power user. Sibelius has always been about power and easier to learn. Notion has always been about high quality sounds and logical keyboard commands. MuseScore is always improving and Free. Dorico is focused on quality engraving and logical keyboard commands. As you think about notation apps for tablets and phones…what is the specialty of each of these apps?
I have a bias here, and I want to be clear about it: I find it easier to compose, arrange, and edit with a mouse/trackpad, QWERTY keyboard, and MIDI keyboard. I used Finale throughout college, and continue to use it–and I also use Notion on most projects (they both get used), both the desktop and iOS versions.
I find handwriting to be best for writing short sequences of notes (e.g. A sight reading exercise) versus an entire song. I love and adore NotateMe, and would have paid far more for it (it is $70 with the scanning IAP), but I don’t do any editing or writing in NotateMe–I use it for the PhotoScore and export features.
I do find handwriting to be the very best way to add diacritical markings…as these are a pain to add with most desktop/notebook programs, even knowing the shortcuts.
When I watch StaffPad’s videos of people collaborating on a composition to be played moments later via a WebCam connection with StaffPad, I feel the frustration that process would actually take (the first time, it would be fun. The second time…give me Finale or Notion…or MuseScore, or Sibelius, or Dorico…)
So, please be aware of my bias. That said, I realize there are a lot of people–music educators included–whose minds melt with any notation software, and handwritten solutions may be the only solution that works for them.
As a result, we have six solutions for iOS (with more on the way), all that work. The latest of these is Compoze Leadsheets, which is coming from a freemium approach. You get three lead sheets for free’ additional lead sheets cost most, and unlimited lead sheets cost $50. The program works like many others, with some very good integration (so far) of repeats and multiple endings. Other features, including export, are coming in the future…some included with the unlimited version.
My advice? Download it and try it, as you start for free. It works well, and if you haven’t tried handwriting notation, it is worth a shot (no Apple Pencil needed). That said, the program itself isn’t of much benefit to me as I need–from Day 1–the ability to have lyrics and to be able to import or export via MusicXML.
I also struggle with the idea notation apps that are in the $50 range or are subscription based, particularly when there are apps like Notion, where the base app, and all possible in-app purchases are $50 (this gets you a rather extensive sound library AND handwriting in Notion). I’m not against people making money…but $50 apps and subscription models (particularly those without an education version) are a very tough sell for schools.
If you download Compoze Leadsheets, you should also try some of the other handwriting apps, such as NotateMe Now (also free). In 2013-2014, I used NotateMe to have my students compose short compositions in class, and that was a successful unit. There are better solutions in 2017, such as the education versions of web based apps like Noteflight and Flat.io. I am particularly interested in trying Flat.io’s new assignment feature.
I also want to make it very clear that Compoze Leadsheets is BRAND NEW on the App Store–and it should be given some time to mature. As I mentioned, download it, and see what you think. Check in occasionally to see what they add.
MakeMusic’s Michael Johnson (VP of professional notation) wrote a blog post the other day regarding Apple’s upcoming Mac update called High Sierra. In the past few Mac updates, MakeMusic had to play catch up to make their software compatible. With Finale 25, Finale looked and acted the same as the previous version of Finale, but was all new under the hood. That rewrite of Finale has allowed Finale to announce that Finale 25 will be compatible with High Sierra—and if any bugs pop up, they will address them as quickly as possible. SmartMusic will also be compatible with High Sierra.
At the same time, two other Finale products were not previously updated–and thus are being discontinued. These are PrintMusic and Finale NotePad. You can still get these on Windows (no longer available for Mac), but even the Windows version will not be developed further. PrintMusic was a less complex version of Finale, and NotePad was even more basic (and free). If you owned PrintMusic, you can currently upgrade to full Finale for $99. That’s a great deal.
With many options for notation users, on nearly every platform, it makes sense for MakeMusic to focus on one notation product. There was a time where schools needed the free option of NotePad, but many years ago, MakeMusic chose to charge for NotePad. This forced many users (including schools) to find other options. This is about the same time that MuseScore came around. I personally talked to people at MakeMusic at the time to ask them not to do that–especially for schools. After all, most people will later buy what they have previously learned on. NotePad was an investment in future users. A few years later, MakeMusic later changed that decision, but the damage had been done. As of today, if you need free notation, you choose MuseScore. So it is a fitting time for MakeMusic to say “Goodbye” to NotePad.
The news about PrintMusic and NotePad is significant, but in no way is it bad. This is a sign that MakeMusic is making wise decisions that reflect the current notation marketplace and these moves will allow Finale to remain as a class leading product for music notation.