I love Showbie. As a 1:1 iPad school, Showbie allows me to manage the “paper” aspects of my classroom. I love that I can share music in a folder (e.g. “6th Grade Spring Concert Music) to a class, give students access to that music, and then hide or delete that folder after the concert (collect the music with a couple of clicks). While in Showbie, students can turn pages left to right (something that a surprising number of PDF applications do not allow), and students can write in their music. Simply put, Showbie is worth the annual fee simply for music management for 350 students.
Our school adopted the enterprise version of Schoology last year, so when there are tasks where I can use Schoology, such as submitting audio or video for assessment, I use Schoology where I used to use Showbie for those tasks.
Our choir program has paid for a subscription to Showbie the past years; as we will no longer be fundraising for our program, we may have to adjust how I use Schoology, adopting the free version and creating grade level “classes” instead of classes by hour/section as I have in the past. Showbie has both free and paid tiers.
There are other benefits of Showbie–it can be a great way to share almost any kind of file between iPads, particularly if your district has restricted other means of sharing (e.g. AirDrop). The company has added many features to their web-based program, and it is now approaching the functionality of the iPad version.
I was an ambassador for Showbie in the past years–and I remain a user and supporter–but I couldn’t find the time needed to support Showbie fully as an ambassador.
So, if you haven’t noticed, I think Showbie is brilliant.
A couple of days ago, Showbie announced that they will be partnering with Socrative, which is a multi-platform assessment program. I’m not sure if Socrative will continue as its own service or if it will be absorbed into Showbie, bur I do know that the one area were Showbie lacked as a program was assessment tools. Showbie has a rather effective quick grading tool, but was far behind other Class Management Systems when it came to assessment. While I am sure there will be some bumps in the road along the way, the merging of Showbie and Socrative should lead to a much more useful tool, and a more competitive tool to other programs in the educational CMS space.
It will be exciting to see what the future holds for Showbie + Socrative!
If you have a JamStik, or teach on Chromebooks, you may want to look at the latest announcement from Zivix, the creator of the JamStik. They have created a web platform that runs the JamStik in Chrome. I haven’t tried this yet, but it is a really exciting possibility, particularly for schools that are 1:1 with Chromebook.
Today I presented on the subject of iPads in Music Education for the Wisconsin Center for Music Education. We covered a lot of territory today, and as usual, the later afternoon becomes a challenge with planned work/reflection time. I am very thankful for those that attended today's session (tomorrow is Chromebook day)…all of them elementary music educators. I have no problems presenting…but part of me wished that I could have flown out Amy Burns for the day…I heavily recommended her resources as well as Katie Wardrobe's resources!
I was thrown completely off my game when one of the workshop attendees mentioned that a bunch of my elementary music apps were no longer on the App Store.
As I have mentioned before, I plan to update all of my books when iOS 11 comes out. That is when I will painstakingly go through every link to make sure that apps are still available. I do have a list of apps on my website…and it was just shocking to realize that so many apps were just…gone. One of the iPad's strengths has been the abundance of quality apps, many at no cost or low cost. Granted, plenty of web apps have disappeared, too (do any web apps from the original iPhone still exist?).
Don't get me wrong…there are still plenty of wonderful resources for the iPad (and Chromebook), and some stellar resources, such as forScore. I still think that forScore (or unrealBook) can completely change the instruction in any music class.
Still–the unannounced disappearance of apps unsettled me. I think it might be related to the upcoming iOS 11 and companies deciding to abandon a product instead of updating it. #sad. I need to update my web list!
A few minutes after the workshop closed, I received notice that none of my TMEA sessions were accepted this year (One on iPad, one on S-Cubed, two on ukulele). That is disappointing, but I have been accepted at TMEA several times (including sessions that I had to decline last year as I presented a number of sessions at the Maryland Music Educators Association the same weekend), and I have previously been declined at TMEA, too. The only sad part is that I have scaled back my presentations as my school was no longer giving me days off to present (they have never been asked to pay for travel, housing, or registration fees), and I was not sure what our new principal would think–so I had only applied at TMEA this year. If you had hoped to see me somewhere in 2017-2018, you'll have to come visit me at my school in Minnesota.
And now…I just received an e-mail from Chromatik that they are closing their services on Monday. That adds to my "reeling." Chromatik started off as a service that would display (and sell) sheet music, as well as offer annotation and group distribution. Funding was made possible with angel investors. It was used on "American Idol," and I had high hopes for the service. They even offered a promo that if you had a certain number of students sign up, they would send you an iPad 2. I did that at my prior school, and that iPad is still in use. Later, Chromatik took a turn, offering sheet music linked with video for all kinds of tunes, with a subscription model. It became a web-based service, and I had continued to talk about it–although I didn't use it very often myself. I still wish it would have continued to exist and improve in its original form, as nobody still has the group distribution model worked out (although Newzik and forScore have some elements of those models). People at Chromatik, thank you for making a "go" of it, and I wish you all the best in your futures.
The other day I wrote a tweet and said this:
Here is the challenge as a music education technologist: there is little new to report on, yet the profession, as a whole, hasn’t adopted the old stuff.
I really feel this is true. The iPad is no longer the "hot commodity" in music education, yet it is about to undergo a major transition with iOS 11 making it easier, better, and faster. The apps are still world class, and some of them exceed or improve on the abilities available on other platforms, often at a better price point. I still believe that the iPad is the best platform for music educators (note: not the only platform), and I would love to see every music teacher (that wanted one) have an iPad (preferably the 12.9" iPad Pro) for their instruction, regardless of what their students have or or are given. Again…forScore (or unrealBook) alone justifies the device. Having apps like Notion, Sheet Music Scanner, Notate Me, Luma Fusion (and more) just sweetens the deal.
Tomorrow is Chromebook day. I'm not against Chromebooks, and I want to help teachers use whatever device they or their students have. The Chromebook has improved a lot, and is so much more useful in music classes. Most of this is thanks to paid services (education versions), such as Noteflight, flat.io, and SoundTrap (and many others carried by MusicFirst, which is also brilliant). Android is coming (in fact, it is already on many Chromebooks), although there are issues to work out in an educational model.
That said, Android isn't iOS when it comes to music education, and neither is Chromebook. The iPad still has a very important place–and not just because I like it. It just does more and it does it better. I just have to hope that we don't ignore it as a profession, as most music educators still haven't had a chance to see what it can really do!
I have a pretty good grasp on Chromebooks in music education…but are there any recent developments that you have seen that I might not know about? I am fully aware of the “big” programs, such as SmartMusic, Noteflight, flat.io, SoundTrap, the MusicFirst products, and all the “general” websites such as Quizziz, Kahoot, and so on.
I also know about the WIDI Bud and the Chromecast, as well as Chome mirroring to Reflector and Air Server.
That said, there might be something good out there that I don’t know, or new hardware that I might not know. If you know of anything, please send me an e-mail and let me know about it so I can share it with others.
Copies of the presentations will be up in the “Past Presentations” area by Thursday.
This review is for the Yamaha UD-BT01, available around $50 from many vendors. In a pre-summary, this is a device that needs to be plugged into a USB power adapter, but then allows a MIDI instrument that normally uses USB MIDI to connect to a computer to become a Bluetooth Low Energy (BLE) MIDI device that utilizes BLE MIDI to connect to a computer/tablet/phone which allows BLE MIDI (a feature found in newer iOS and Mac OS devices). In short, BLE MIDI is low latency and has no cords, which is a huge benefit when working with a computer or tablet.
This review requires me to travel back in time a few weeks, when I reviewed the CME XKey Air and the CME WIDI Bud. After posting a review, a reader e-mailed to let me know that the Quicco Sound mi.1, the Yamaha UD-BT01, and the Yamaha MD-BTO1 did not work with the CME WIDI Bud. I was able to verify that my 1st generation mi.1 did not work with the WIDI Bud, but I could not verify that the Yamaha devices did not work. As a result, I did what any blogger would do–I reached out to Yamaha and asked for a review unit. Yamaha graciously sent out a UD-BT01 for me to work with. It arrived yesterday and I have been working with it for a day.
The UD (can I just call it that for now?) is a USB dongle of its own that is not meant to plug into a computer. Instead, it is meant to receive a USB cable from a MIDI instrument, and then the UD is meant to plug into a USB power adapter (whatever you have on hand–my Apple iPhone USB brick worked just fine. So…the UD is made to receive a USB cable (we call this a “female” adapter) and to plug into an adapter (“male”).
Put another way, this adapter needs to be plugged into a power source to work. Therefore, if you need wireless capability without having to attach it to electricity…the UD will not be your device. If that is the case, see if the Zivix PUC+ might work for you (It is important to note is that the PUC+ can use either USB or traditional MIDI connections). Two examples of potable keyboards where a plugged-in solution may not be best are the Akai LPK 25 or the (original) CME XKey, both which normally communicate to a computer/tablet through a USB cable, drawing power through the USB cable.
Back to the UD, If you happen to have a power source near by (and you will for many keyboards), this adapter is a nice solution to convert an existing device to a BLE MIDI device.
I attached the UD to both my Casio PX 350 M and my Akai LPK 25. It worked flawlessly with iOS, as I expected that it would. The secret is to connect to the device in any BLE MIDI equipped app (e.g. GarageBand, Notion) and then use any other MIDI app. Once the device is connected in iOS, it can be used in any Core MIDI app. (Note: In GarageBand, go to settings (wrench), then Advanced, then Bluetooth MIDI Devices. If the UD is turned on, it will show up, and a single click will connect to it. If you see nothing at all, make sure Bluetooth is turned on in control center,)
My MacBook isn’t new enough to run BLE MIDI and my Chromebook does not have BLE MIDI. As a result, I connected the UD to both devices via the CME WIDI Bud. The WIDI Bud connects by itself to the first device it senses , so you need to make sure that you only have the device that you want to use (should you have multiple BLE MIDI instruments in your procession) turned on. In both situations, the WIDI Bud connected to the UD just fine, and I was able to work with Notion and GarageBand on my MacBook, and Noteflight, Flat, and SoundTrap on my Chromebook.
As for Windows, my Windows device is an Asus T-100 Transformer, and it simply doesn’t work well (It is slow and was cheap. You get what you pay for). I bought that device a few years ago to be able to help music teachers with Windows computers. The T-100 does not have BLE MIDI (and I am not even sure that BLE MIDI is yet incorporated into Windows 10), and the WIDI Bud just doesn’t seem to work well with my computer. Using CME’s WIDI Plus app, I can connect to various devices and the UD shows up on the bottom of the screen as a MIDI device nearby, but I cannot connect to it.
One of the joys of Bluetooth Wireless MIDI is that it takes a lot of the complexity out of MIDI connections. Connecting with an iOS device or a Mac, or even a Chromebook with a WIDI Bud, is fast and easy with no cables to worry about and no messing around with MIDI settings (sometimes you have to select the WIDI Bud as an Input/Output device on a web app, like Flat.io). MIDI was always a pain on my Windows computers (I was a convert to Mac in late 2008) and it looks like it still is today.
The UD works as expected and doesn’t get hot, so I would leave it plugged in most of the time without worrying about it. The adapter is small, and wouldn’t take well to being stepped on. Therefore, make sure the adapter is somewhere out of the way where it will be stepped on or crushed (e.g. We had a floor power source for my old Yamaha Clavinova Baby Grand, so that would not be a good place for the UD to live).
There is a hole on the UD, and I am not sure what it is for. I wouldn’t want to put it on a keychain, but I imagine a number of them could be stored by running a twisty-tie through that hole. $50 is a low price to pay to convert an existing MIDI instrument to a BLE MIDI instrument–so you may find this a good solution for you. You do not need to have a Yamaha piano to use this device. If you have an older Mac or iOS device, or a Chromebook and would like to turn it into a BLE MIDI capable device, consider the WIDI Bud from CME (See B & H, who carries it). As a reminder…an old iOS device will need the USB to 30 pin Camera Connection Kit to plug in the WIDI Bud.
In summary, the UD-BT01 is a great solution if you have a keyboard with USB MIDI that plus into the wall and you want to make it into a BLE MIDI device. If you are dealing with a portable keyboard, this really isn’t the device for you (you can make it work, but you need to be near a power socket), and as Yamaha reminds you on their packaging, the UD requires the use of a USB power adapter (i.e. the brick that likely charges your phone). There was a time that I would have said, “Yamaha should include the power charger,” but USB chargers can be found anywhere and you can likely find a spare one in your home, or it is easy enough to just go buy one.
I love to see all of these options for Bluetooth MIDI, which I feel is a significant improvement to the old way of dealing with MIDI instruments.
A very special thank you to Yahama for letting me test out the UD-BT01, which was introduced at Winter NAMM in early 2016.
This is a long review, and I apologize for the length, but I am very fond of these items and they deserve some coverage. If you want to read a very quick summary, check out my last post. I also had to publish an incomplete draft in order to add in-document links, so if you received e-mail notification about the post and it was incomplete, I apologize.
I love technology, and I love teaching others about technology in relation to what they are doing in their classrooms. I have a special affinity for technology that “changes the game” and makes technology easier to use or easier to incorporate into our lives. As a music teacher and a musician–there are few occurrences where I am bursting with excitement about a product. This is one of those situations.
This review is going to look at a CME’s XKey Air and the CME WIDI BUD. You can click on either of those last two links to skip to the section about that product, and there is a (20 minute) video at the end of the review.
If you want to buy these devices, visit the CME Website. Whie the WIDI BUD website is “live,” at the moment, the only place to buy the WIDI BUD is B&H (This will change over time). Special thanks to CME and Virgin Musical Instruments for making these products available for this review and for the sessions that I will be presenting in the 2016-2017 academic year.
CME XKey Air (25 Key Model $199, 37 Key Model $299)
The XKey first came to my attention in late 2014, as a representative from CME (or more specifically, their distributor in the United States) contacted me about the product and their coming attendance at TMEA. While the company has been around since 1993, the current CME was formed in 2012. After reading some reviews on the Internet, I can’t tell when the original XKey came out (my best guess is 2014) as a high quality portable MIDI keyboard. The features of that keyboard included high quality materials, full sized keys, function buttons (instead of wheels), velocity-sensitive keys, and low-travel keys. While the keyboard can be used for performance, the target was portable studio and notation work–something it is perfect for.
I remember stopping by CME’s booth at TMEA, seeing the XKey for the first time, and showing them the Miselu C.24 keyboard. I asked them to consider BLE (Bluetooth Low Energy) MIDI with their keyboard. At the time, my C. 24 was one of the few of those devices “in the wild” as they sent it to me early so that I could show it at various music education conferences. Just a word about the C.24–I lost mine in Nashville at NAfME. The C.24 was an exciting device as it was the first BLE MIDI device on the market. It promised to be a device that could be used as an iPad cover, and featured the ability to “flip” the device into form to make a playable keyboard that worked with magnets (not springs). You could combine multiple units to make a longer keyboard. The keys were scaled on an old model of a “woman’s” piano (apparently, piano keys used to be a relative item, based on the desires of the purchaser versus an industry standard). The C. 24 works, and is still available from Miselu at a (now lower) cost of $149. I do worry about the durability of the C. 24 (all the moving parts to flip open the device) and the future of the company (it still hasn’t released a promised control module to backers)–plus the function of the case changed when Apple changed the design of the iPad and the C.24 could no longer be used as an iPad case. This means that the market is still open to a high quality BLE MIDI portable keyboard, and the XKey Air fits the bill.
In addition to my feedback, CME heard that same feedback (“Please add BLE MIDI”) from a number of users, and ran a Indegogo Campaign to provide the capital to start that product. That project was funded by August 2015, and started shipping this spring.
In form, the XKey Air and the original XKey are identical. In fact, the only difference would be a Bluetooth sticker on the XKey Air, as well as multiple LED indicators and a power button on the Air. In my video review, I talk about the packaging of the XKey Air, which may seem irrelevant. After all, why does the packaging matter? I don’t know why, but it does. Part of the joy of buying an Apple product is the unboxing experience, which was carefully designed for the user. The XKey Air comes packaged in the same thoughtful way as an Apple device, and would fit perfectly on the shelves of an Apple Store. There are a couple of instruction sheets in the box, as well as a labeled micro USB cable. If you have other micro USB cables in your house, you can use them with the XKey Air–but I like having cables labeled so you know what device they came came with.
As for the keyboard, it is a joy to use. It pairs effortlessly with BLE MIDI on the iPad. As with most BLE MIDI devices, it is instantly detected by the iPad and connects with a single touch. While the keys do not have the tradition “travel” of a piano keyboard, they are pressure sensitive and every button works as it should. Some reviews of the original XKey longed for a way to attach a sustain pedal to the keyboard (instead of pressing a key on the XKey Air), but this is a portable keyboard–attaching cables and secondary pedals defeats the portable purpose of the keyboard. The low-travel keys should make the keyboard more resilient to throwing it into a backpack and running along. I had issues with other previous portable USB keyboards that I have used over the years (One example was an M-Audio 25 key unit that did not stand up to portable use).
My only complaints about the XKey Air are minor. First, the 25 key model costs $199, and the 37 key model costs $299. The original 25 key XKey is $99, and the 37 key XKey is $199. As both a consumer and a music educator, I would love to see the price point drop on these models. That said, if you have an original XKey, you can attach a Zivix PUC+ to it and make it a portable BLE keyboard for the same cost of $199. In other words, the price point isn’t terribly inflated, but I would still love to see a small price drop . I would imagine that some kind of education pricing (for the original XKey or the XKey Air) could be obtained if you reached out to the company. My other complaint is that it would nice if the XKey Air included a light bag of some kind to offer protection as you throw it into a backpack.
Is it worth buying the XKey Air for $100 more than its equivalent XKey? It depends on what you want to use it for.
The XKey Air is an ideal device for anyone wanting a portable MIDI keyboard interface without wires. When I am working with my iPad or my MacBook, I prefer not having to deal with cables. Additionally, an iPad needs a USB dongle (an additional $29 purchase) to work with a a USB MIDI keyboard.
If I were creating a school MIDI lab with fixed computers, I would consider the original XKey (even above a comparable M-Audio product). They are going to look great in your lab and will hold up to the rigors of daily use. This would also be true if I was teaching with Chromebooks…you probably are not going to buy a WIDI BUD (more on that in a moment) for each Chromebook.
However, if I needed keyboards for a 1:1 iPad school where student iPads were the MIDI lab (not a separate room), I would consider the XKey Air (even at $100 more per device). Why not go truly mobile with your lab? Also, if I was the teacher and I did any work at all in GarageBand (SoundTrap, Soundation) or notation programs, I would want a portable keyboard, particularly if the device I was using was a portable device (MacBook, iPad, Chromebook). As a warning, in a 1:1 scenario, each XKey Air has a unique MAC Bluetooth address, but show up as “XKey Air 25 BLE” on the Bluetooth MIDI interaction panel. This would make connecting difficult–much as we found with our Bluetooth QWERTY keyboards in our 1:1. If every device has the same name, how do you know which one you are using? Zivix has a unique identifier with every name, so I know it is possible to uniquely identify each BLE MIDI device, and I hope that CME is able to add this functionality in a future firmware update (if it isn’t there already, which I may have missed while looking through they XKey app).
In short, I think both CME XKey keyboards are wonderful. They are high quality portable keyboards and a far better solution (in my opinion) than mini keyboards like my old Akai LPK 25, my old M-Audio key stations, and even the Miselu C.24. Do you need the BLE MIDI feature? That’s up to you–I would say, “Yes,” because if you want to add it later, you can (Zivix PUC+) for relatively the same price-but then you again need cables (of a sort) to use the feature. It is wonderful to be able to connect without wires to your iPad, MacBook, Windows laptop, or Chromebook. I do wish the pricing was a bit lower on the XKey Air ($150), but $199 isn’t terribly out of the ballpark. When I spend money on devices, I have to ask if they save me time and frustration in the long run over doing things another way. In the world of iPad, the XKey Air allows me to connect to my iPad without a dongle (as it would to a newer Mac [2012?] than may 2008 Aluminum MacBook) which is a separate $29 purchase. It means less time to connect and take down, and less things to forget going from place to place. So if you are going to use a keyboard with your computing device–in terms of convince, it simply may be the best option to spend an extra $100 for the Bluetooth capability.
So yes, if you are interested, either the XKey or the XKey Air is a “consider buying” item.
When I opened the package from CME, my initial reaction to the WIDI BUD, packaged in a small blister card with minimal instructions, was, “HO HUM.”
That initial reaction was really, really, really wrong. It is going to be a while until BLE MIDI is packaged with every device. If you have a newer iPad or MacBook, you have it already–but old Apple devices, many Windows devices, most Android devices, and most (all?) Chromebooks do not have BLE MIDI capability.
This little dongle, which looks like a newer flash drive, gives BLE MIDI capability to nearly every device.
This means that you can use an XKey Air with an older iPad, MacBook, Windows computer…you get the idea. There are limitations (you have to be running Windows XP SP3, Ver 4 of Android, iOS 4.2, Chrome 43.0) but generally, if you have a modern device, the WIDI BUD can add BLE MIDI to your computing device if it does not have it.
Last summer, Web MIDI was announced, and over the last year, programs have been adding it: Noteflight, Flat.io, SoundTrap to name a few.
With this dongle, you can make a Chromebook into a BLE MIDI device, utilizing Web MIDI on these programs. Sure, you can also add a wired USB connection, which is what you would do for students (you would have a stack of physical keyboards that they would check out, use, and return). But for YOUR use…go wireless. Trust me on this one.
What is amazing is that the WIDI BUD makes a connection with a BLE MIDI device on its own. I haven’t tried having two BLE MIDI sending devices turned on at the same time, so I do not know how the device would respond to two competing devices for its attention–but plug in the WIDI BUD, and turn on the XKey Air, and it works. That’s it. The WIDI BUD will remember that connection until it loses power. So, if you want to connect another BLE MIDI device (such as the JamStik+ or the PUC+), turn off the XKey Air, turn on the JamStik+, and plug in the WIDI BUD.
So yes…the WIDI BUD works with ANY existing BLE MIDI device. (See note)
Let me copy and paste that again…
The WIDI BUD works with ANY existing BLE MIDI device. (See note)
So…the JamStik+, the PUC+, the Korg MKey Air, and the few keyboards sold with BLE MIDI…should be able to work with the WIDI BUD.
I have now said this for over a year…reliable MIDI interaction with a BLE MIDI device is a game changer in ease of use and functionality.
Chromebooks being able to use MIDI keyboards over a wired USB connection is a major step forward, and it means that I could teach Music Theory (mostly with Noteflight or Flat.io) with Chromebooks, and I could teach a Music Technology class (SoundTrap, Soundation, Noteflight, Flat.io) using Chromebooks. But to be able to connect wirelessly means that using those programs for my own use (not just in teaching) becomes a possibility.
Being able to use any BLE MIDI device with just about any host computing device is a game changer, too. At that point, you are only limited by the apps and programs that are available on your computing device. And remember…on Chrome OS, the best apps require a subscription to get all of the features that you want to use (Noteflight requires a subscription to even use MIDI recording). I don’t think there is anything wrong with that, because companies deserve to earn money. But it is something that we need to teach IT departments as they typically don’t plan for annual subscriptions.
My only complaints about the WIDI BUD are the size of the device (it has to be that small, but people will lose them), and they are a TIGHT fit in your USB port (which is probably intentional so that you leave it plugged in). I am leaving this WIDI BUD in its package after I use it, so that I can keep track of it.
My only other complaint is that I can’t find the pricing for the WIDI BUD on CME’s website, so I am hoping that it is released soon and will be affordable!
As you can tell, if you have a computing device that does not have BLE MIDI, I think the WIDI BUD is a must buy. I don’t know anything else like it on the market.
Thanks again to CME and Virgin Musical Instruments for allowing me to review and show off these devices. A video appears below.
ISTE just wrapped up–a conference that I hope to present at and attend in the future. ISTE is the “big dog” conference of education technology, just as Winter NAMM is the big conference for music.
ISTE released new standards for students, revising their 2007 standards. The standards don’t deviate that much from the previous versions, but there is a hope on ISTE’s part that teachers are doing more than just occasionally using technology these days. The new standards reflect a world that is more highly connected and a world where 1:1 programs are becoming standard place in our culture.
If you missed the earlier news, Chromebooks are going to run Android apps in the very near future. This opens Chromebooks beyond the relatively constrained supply of apps avaialble on Chrome OS to the huge variety of apps on Android. It turns out that my Asus Flip, in the developer channel (nothing special, you simply turn it on) can run the early version of the Android functionality. I have been working with the new feature, and things aren’t working so well for the applications that I would use. However–it is early in the game, and this is only going to get better. Mobile Sheets is perhaps the best sheet music reader for Android, and it sort-of runs on Chromebook. Every time I exit the app, everything stored in the app is lost.
That’s all okay–you can see where things are going. This is why the Wall Street Journal (rightly) predicted the end of Chromebooks–I fully expect that we will see Android become “unified” with Chrome within two years.
Now here’s the big question: Android on Chromebooks will make “flip” models a much more useful tool in schools (and for any other location). Will your school drop the additional $50 to $100 per device to obtain this functionality the next time Chromebooks are refreshed?
The other two big items were in relation to GAFE (Google Apps for Education) tools. Google Forms now offers a quiz option that allows teachers to make quizzes out of Google Forms. Yes, an add-on called Fluabaroo has done that for a while, but Flubaroo requires an extra bit of set-up that some teachers were unwilling to undertake. Now you can make a quiz with a single button option. If you are using Google Classroom–this will be incredible.
Second, Google is going to offer a Chromecast for GAFE that allows students to send their materials to a teacher’s computer screen (which would ideally be connected to a computer). In my own tests, Chromecast is significantly slower and latent versus Apple’s AirPlay, but someone lost in the desert can’t complain about what kind of bottled water they are given. In other words, this is a solution for Chromebook schools that don’t have a solution, so it should be celebrated.
Yes, I remain an “iPad” guy, but things are starting to change with Chromebooks in a way that offers hope for those of us who don’t teach with desks in our rooms or need keyboards (at least all the time).
Flat.io also had a strong presence at ISTE, which is wonderful. I hope they can make it to some of the larger music education conferences in the United States in the future (the company is located in France, so conference involvement represents a significant investment in capital).